Discover the sound of pro-audio analogue products using the techniques you love from the past with the technology we invent today. We don't build clones - but we do take inspiration from the pioneering recording products from yesteryear and add our blend of innovative design and high-tech signal paths. The result is a range of products that are truly unique in the market with improved functionality, awesome sound quality and real vibe!
Our newest compressor - the DBC-20 - is the perfect tool for adding analogue harmonic character and cementing sounds together in the electronic music studio. It can add punch and size to your drum loops and glue your mixes together for a truly pro result.
"It has just the right amount of colour to it, its tight, punchy, rich and lush sounding."
"Great for thickening sounds up with harmonic grit and sparkle."more . . .
Real analog compression when tracking vocals can add a new dimension to your recordings, but you need a compressor that will respond to the performance and deliver a seamless result. The SOC-1.1 delivers all the vibe of vintage optical compressors but offers a faster response and enhanced user control.
". . . while this dude doesn't sport the tubes, it retains everything I miss about my LA-2A."
"It never lets you down and shines on all kinds of vocals . . ."more . . .
If you record acoustic instruments then the MA-2.2 will help you create beautiful music with amazing detail and clarity. The unique True Class A circuits used in the MA-2.2 provide a warm wide sound field like no other mic preamp on Earth. Stringed instruments, vocals, pianos, percussion and wind instruments are all reproduced in amazing reality.
" It sounds absolutely stunning with our U87 - the upper harmonics are just unreal."
"The MA-2.2 aims to deliver what's really there, and it does so exceptionally well."more . . .
There is a view that optical compressors are too slow to use on a stereo mix. This may have been true of vintage LA designs, but our SOC-20 compressor features much faster attack and release times. In addition, the on board mid side processor creates a powerful mixing tool allowing you to manipulate the stereo image - a truly unique pro audio compressor.
". . . it works great on the bus for a lot of music where you want size and depth."more . . .
Since it's release 6 years ago, the REQ-2.2 has become the best selling mastering equalizer in the USA. Like all our products, the REQ features a unique design that delivers a sound quality like no other equalizer available, and this quality has found favour with mastering engineers around the world. But did you know the REQ-2.2 is also available in a lower cost version with 16dB boost/cut range for tracking and mixing tasks?
"It gives the mix more of a dimension from front to back, kinda jumps out at you."more . . .